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SCENIC PAINTING AND PROPS

PROPS

SCENIC PAINTING

AROUND THE WORLD IN 80 DAYS

I worked as props master for Penfold Theatre's Around the World in 80 Days, adapted by director Emily Rankin.

IN THE NEXT ROOM, OR THE VIBRATOR PLAY

For In the Next Room, I worked with director Kristin Rogers and scenic designer Leslie Turner to provide historically accurate set dressings and hand held props, using them help create a distinction between the two rooms.

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PROJECT 1

PROJECT 2

PROJECT 3

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